'I have experimented a lot with my acting, now I want to get into the commercial heroine space.' 'I am toning myself up to live up to the hotness standards of Varun and Jacqueline.' 'I am trying to get there.'
'You think of Sulu as someone who is sexy, sultry and intimate. You don't imagine her as someone clad in a sari.' And yet, Vidya Balan gets ready to seduce you again.
'The biggest success of Andhadhun is that viewers are thinking and debating about it. I didn't expect it,' Sriram Raghavan tells Ronjita Kulkarni/Rediff.com.
'Actors would go to acting schools. Today, they go to the gym first.' 'What has the body got to do with acting?' 'What's the use of flexing muscles if you can't manage the muscles of your face?'
'This is a movie, which if you allow it to, will wash itself all over you, so that you emerge from it a little drenched but wide awake,' says Sreehari Nair.
'A production designer could earn Rs 10 lakh per film. It could be Rs 70 lakh for an established designer.'
'You might hate him, but it will be an honest portrayal.'
The year saw some standout performances from lesser known actors.
'You don't need a godfather to protect you from dangers of Bollywood because nobody will.'
'After Lagaan, Aamir would sit up the whole night and drink an entire bottle of Bacardi.'
'Don't do it if you only want to wear good clothes and drive a flashy car. Get into banking, then.'
'The other day, someone told me they saw Sarbjit again and it still haunts them.' 'They said I made Aishwarya do what she's never done before.'
Bollywood wishes #HappyFather'sDay.
'Sanjay Dutt was a very stylish person. He created his own style; he did not follow trends.' 'He wasn't a tapori, he was grand.' 'Also, whatever he wore, reflected what was going on in his life.'
Business should be pleasure, not pressure, believes Thrissur-based T S Kalyanaraman.
Advait Chandan decodes Aamir Khan.
Aamir Khan tells Urvi Parekh why his next release is probably one of the most important films he has made.
A big part of October's charm is in its taking of a cinematic tragedy and presenting to us how we may experience it in real life, says Sreehari Nair.
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